Thundercat: “Evangelion”/”We’ll Die” Video
Directed by: Mochilla
Tag Archives: thundercat
Thundercat: “Evangelion”/”We’ll Die” Video
Live Performances by:
Roy Ayers featuring Pete Rock (Live full band)
Opening Performance by:
Anthony Valadez, Clifton Weaver, Destroyer, Lee Joseph & Marlon Fuentes
Hosted By: Garth Trinidad
Visuals: Strangeloop (Brainfeeder)
Thursday November 17th, 2011 :: 8pm-2am :: 21 and wiser
618 S. Spring Street :: Los Angeles, CA 90014 :: (213) 627-8070
Tickets = $30 http://homage.eventbrite.com/
Table Bottle Service Available: firstname.lastname@example.org
Enjoy this complimentary mix from Anthony Valdez:
Roy Ayers was born in Los Angeles, California and grew up in a musical family. At the age of five, Lionel Hampton gave him his first pair of mallets, which led to the vibraphone being his trademark sound for decades. The area of Los Angeles that Ayers grew up in, now known as “South Central”, but then known as “South Park”, was the epicenter of the Southern California Black Music Scene. The schools Roy attended (Wadsworth Elementary, Nevins Middle School, and Thomas Jefferson High School) were all close to the famed Central Avenue, Los Angeles’ equivalent of Harlem’s Lenox Avenue and Chicago’s State Street.
Ayers was responsible for the highly regarded soundtrack to Jack Hill’s 1973 blaxploitation film Coffy, which starred Pam Grier. He later moved from a jazz-funk sound to R&B, as seen on Mystic Voyage, which featured the songs “Evolution” and the underground disco hit “Brother Green (The Disco King)”, as well as the title track from his 1976 album Everybody Loves the Sunshine.
In 1977, Ayers produced an album by the group RAMP, Come Into Knowledge, commonly and mistakenly thought to stand for “Roy Ayers Music Project”. That Fall, he had his biggest hit with “Running Away”. In 1980, Ayers released Music Of Many Colors with the Nigerian Afrobeat pioneer Fela Kuti.
Since then, Roy Ayers has toured the world, many times over, released numerous records and had dozens of life changing collaborations. Roy also made a hug impact in the world of Hip-Hop and RnB. Many people have sampled him and covered him. Erykah Badu, Mary J. Blidge, Mos-Def, Digable Planets, DJ Shadow, Nas, Madlib, Ice Cube, Public Enemy, Common, The Pharcyde, Pete Rock, Jill Scott and many many more.
Pete Rock, “Soul Brother No. 1.” Rose to prominence in the early 1990s as one half of the critically acclaimed group Pete Rock & CL Smooth. After the duo went their separate ways, Rock continued with a solo career that has garnered him worldwide respect. Along with groups such as Stetsasonic, A Tribe Called Quest, The Roots and Gang Starr, Nas and Notorious B.I.G., Talib Kweli and the late J Dilla, Rock played a major role in the merging of elements from jazz into hip hop music (also known as jazz rap). He is widely recognized as one of the greatest hip hop producers of all time, and is often mentioned alongside DJ Premier and RZA as one of the mainstays of 1990s East Coast hip hop production.
Stephen Bruner is Thundercat and Thundercat is the dominant bassist rising within the ranks of R&B, rock, hip-hop, jazz, electronic, and beyond. The mystique behind the man named for his favorite cartoon seemingly hides an introspective, ambitious, and fearless young artist whose solo debut album is finally emerging in front of the vast catalog of experience he has amassed in collaboration with the likes of Erykah Badu, Miguel Atwood-Ferguson, Shafiq Husayn, Suicidal Tendencies, Stanley Clarke, and Flying Lotus, his closest partner and head of the Brainfeeder movement. Stephen is joined by a serious cast of jazz monsters!
J.Rocc: One of the original turntablists, J. Rocc founded the Beat Junkies in 1992 with Melo-D and Rhettmatic, but has done just as much on his own as in a group setting. He began DJing in the mid-’80s with a California group named PSK. Soon after forming, the Beat Junkies became a seminal force in the rise of instrumental hip-hop, including core member Babu plus future stars Shortkut and D-Styles.
In addition to numerous mixtapes and his own production for Stones Throw releases, J. Rocc has been the DJ for Madlib’s live shows since the early 2000’s, was the 3rd member of Jaylib (Madlib & J Dilla) during the group’s live events, and collaborated with Madlib on Beat Konducta Vol. 5-6: A Tribute to J Dilla.
Ever since we started working on the Thundercat record we’ve all been listening to the living legend, George Duke so much!
Our friend B+ (Mochilla) put together a mix dedicated to his amazing catalog…
Feel. George Duke 1971-1980
Thundercat’s recent cover of For Love I Come inspired me to have a listen again to the amazing music of George Duke. When most of the records on this mix were made it was an extraordinarily creative time in LA. A family of musicians were bringing new rhythms, new instruments, new humor, new international influences to jazz. CannonBall was an important figure and his partner David Axelrod – but the new arrivals Airto Moreira and Flora Plurim were also instrumental and then George Duke from the Bay Area who had collaborated with Frank Zappa.
George Duke has been an inspiration to hip-hop for many many years… Back in 1991 an album came out called Low End Theory by A Tribe Called Quest. You may know the name for another reason but anyways on a song called The Infamous Date Rape Tribe sampled Steam Drill by Cannonball Adderley featuring George Duke and we were off to the races. Ice Cube sampled Duke for True to the Game from Death Certificate that same year. Since then many more beat heads have been attracted to Mr. Dukes amazing keyboard playing, sense of rhythm and unique lyrical stylings. Dilla has definitely listened as has Madlib, Pete Rock, Kanye, Karriem Riggins and now well Thundercat, who for all his youth has actually played with George Duke.
This mix is in tribute to George Duke as it is in celebration of Thundercat.
I think we are in a similarly creative moment now in LA as existed in the mid seventies and it seems fitting to make the link.
Good musicians will make you listen again and
ThunderCats For Love I Come surely made me do that.
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